“A Local Habitation and A Name”: Locality and the English Theatre
A Graduate Student Conference at the University of Illinois at Urbana-Champaign, ACES Library
24-25 April 2015
Keynote Speaker: Erika T. Lin<http://mason.gmu.edu/~elin1/> (George Mason University)
According to William Shakespeare, it was the job of the poet to identify “the forms of things unknown,” turning “them to shapes” and giving “to airy nothing a local habitation and a name.” The purpose of artistic creation was to render accessible-to provide a concrete sense of space and cultural specificity-those abstract ideas on the periphery of experience. The Early Modern Reading Group (EMRG), a graduate interdisciplinary reading group in association with the Illinois Program for Research in the Humanities at the University of Illinois, is seeking submissions for a conference on the intersections between locality and theatricality in English theatre.
The conference will engage with the idea of locality as both referring to geographically specific sites that the theatre conjures and interrogates, as well as the theatre itself as a historically inscribed site for cultural production. What does literary criticism look like when we organize it around marketplace forces other than the author? How do the traces of original performance spaces complicate our understanding of courtly or popular plays? Taking into account the recent scholarly trend toward the porous rather than static nature of early modern performance locales, how might we re-envision the network of stewes, bearbaiting and cockfighting arenas, playhouses, the Inns of Court, and inn-yards in which theatre took place?
We welcome papers that examine how early modern playwrights, discrete collectives such as the playing companies, and, more broadly, English culture grappled with these questions within a series of related realms-e.g., theatre history, repertory studies, cultural studies and identity politics. Topics might include:
*   the role of neighborhoods in the theatrical marketplace
*   the playhouse and/as locus
*   canonicity and critical myth-busting
*   cultural geography and identity
*   public versus private playhouses and their audiences
*   competing venues such as bearbaiting rings and inn-yards
*   other dramatic forms such as masques and interludes
*   indoor playing versus outdoor playing
*   itinerancy and touring
*   site-specific and contemporary performances
Those working in the Medieval, Renaissance, Restoration, and Eighteenth-Century periods or performance studies in general are encouraged to submit an abstract up to 250 words to the conference organizers, Elizabeth E. Tavares (tavares1@illinois.edu<mailto:tavares1@illinois.edu>) and Carla B. Rosell (rosell2@illinois.edu<mailto:rosell2@ilinois.edu>), by 1 March 2015. Participants will be notified no later than 15 March.
The conference will also include a performance of The N-Town Plays, hosted by the Medieval Studies program in the Department of English. For more information, visit our website at http://publish.illinois.edu/erlymodrn.